Issue 001 · May 10, 2026
WPR reports that Kimberly Blaeser, a White Earth Ojibwe poet and former Wisconsin Poet Laureate, has received a National Book Foundation prize for her collection 'Ancient Light.' Blaeser's work has long woven Anishinaabemowin, landscape, and memory into forms that resist easy categorization, and this recognition from a major national literary institution is a genuine milestone. Patty, you know her work well, and this is the kind of story that belongs in your files for the next edition of Indian Nations of Wisconsin.
Issue 001 · May 10, 2026
WPR profiles an Ojibwe jingle dress dancer who is using digital platforms to extend a family tradition of activism, connecting the physical practice of dance to contemporary forms of Indigenous visibility and resistance. The story is exactly the kind of 'Native People Up Close' framing Patty's textbook calls for: a specific person, a specific practice, a specific lineage, no vanishing-race framing in sight. The jingle dress itself carries a healing origin story from the flu pandemic era, which gives the digital extension of that tradition an additional layer of resonance.
Issue 001 · May 10, 2026
WPR covers a Wisconsin author whose debut middle-grade novel is being described as an epic Indigenous fantasy, a genre that has been growing in visibility since Rebecca Roanhorse and others demonstrated its commercial and cultural reach. Middle-grade fiction is a particularly important space for Indigenous storytelling because it reaches young readers before the mainstream curriculum has had a chance to flatten Native history into the past tense. The Wisconsin connection makes this especially worth tracking for Patty's Indigenous youth media beat.
Issue 001 · May 10, 2026
ICT's biweekly Indigenous arts and entertainment column this week covers Native fashion, a new 'Borders' documentary series, and a U.S. Postal Service buffalo stamp, offering a useful snapshot of where Indigenous creative work is landing in mainstream cultural spaces right now. The column is a reliable aggregator for this beat, and the 'Borders' series in particular sounds worth tracking as a potential model for the kind of Indigenous-produced documentary work that Ice Worlds is also doing.
Issue 001 · May 10, 2026
High Country News published a reported piece this week on the 'Red Wind commune,' a case study in Indigenous identity fraud and the real harm it causes to Native communities, from diluted cultural authority to legal and financial exploitation. The piece is careful and does not sensationalize, which is the right approach to a story that can easily tip into spectacle. For Patty, who has spent a career insisting on the specificity of tribal citizenship and the difference between self-identification and belonging, this is a story with direct professional relevance.